Speaking about the serial, Lubna says, "Baa Bahoo Aur Baby' is a story of everyone. It is about a joint family ruled by their mother who besides being sure of what is right and wrong, has a loving nature. Unlike other serials she shares an amazing relationship with her daughter-in-laws. This serial depicts the problems of a middle class family in a realistic way."
Baa Bahoo Aur Baby is made by Aatish Kapadia and JD Majethia (of Sarabhai Vs Sarabhai and Instant Khichdi fame). It presents the hues of life packed with high emotions, temperaments, idiosyncrasies of real people and even more real situations.
Talking about the stand-out character that she portrays as Paroma in Umeed Bhavan, Lubna 
says, “She is extremely learned and very confident. She is the right hand of Umeed Bhavan because she looks after the financial matters, also supervises and gets the job done by the ladies in Umeed Bhavan. Though the character is a bit snooty and headstrong, Paroma demands all the respect as she is very confident in her outlook”.
When asked about the vast difference seen in the characters of Leela Bhabhi and Paroma, the actress is quick to say, “Frankly speaking, I am very much different from both the cha
racters I play. But, I also feel that every actor gives a personal touch to the role he/she is portraying. Keeping this aspect in mind, I can say that both Leela Bhabhi and Paroma are part of me”.
Lubna recollects that her association with JD and Aatish goes back to her college days in Mithibai College, where they were her seniors. Lubna owes her name and fame to the duo, states, “They brought me to the limelight and if I am recognized today, it is because of them”.
When asked about the advantages of working with one production house, an extremely witty Lubna has this to say, “It is good, because I have never felt the necessity of appointing a secretary as they manage my dates very well for both my serials”.
Last but not the least Lubna confirms that, “I put in equal time and effort to my theatre activities and modeling too”.
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